and then read the books, and I gotta say, I think the author and I fundamentally disagree on a key principle of storywriting.
I believe, strongly, that if you have two viewpoint characters, or two love interests, or two viewpoint characters who are also love interests, then they need to have balanced problems - and, ideally, the interaction of those two characters should affect those problems in some way - by making them realize that they have problems, by making them realize that those problems aren't so bad, by solving or exacerbating those problems - who knows? But they need to start off with the same level of problems, and then by the end of the plot those problems need to have been changed in some way.
And pretty much that never happens in these books. Just look at the two that make up the TV show. We have two couples.
( Read more... )
This opinion on problems was brought to you by: The Overnight Shift! I have so much time on my hands, guys!
I believe, strongly, that if you have two viewpoint characters, or two love interests, or two viewpoint characters who are also love interests, then they need to have balanced problems - and, ideally, the interaction of those two characters should affect those problems in some way - by making them realize that they have problems, by making them realize that those problems aren't so bad, by solving or exacerbating those problems - who knows? But they need to start off with the same level of problems, and then by the end of the plot those problems need to have been changed in some way.
And pretty much that never happens in these books. Just look at the two that make up the TV show. We have two couples.
( Read more... )
This opinion on problems was brought to you by: The Overnight Shift! I have so much time on my hands, guys!
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